rites and music

The rites and the ritual music of life not only have reflected the abundant customs and colorful music but also reflected the Mongolian historic traditional culture.

其人生仪礼中的仪式及音乐，不仅体现了台吉乃尔蒙古人丰富的民俗和多彩的音乐，也体现了蒙古民族悠久的传统文化。

Although in the Shang and Zhou times it was repelled by the culture of officiant and the culture of rites and music, the culture of witchcraft still had tremendous influences among the commons.

商周时期，巫术文化为祭司文化和礼乐文化所排斥，但在民间仍有极大的影响和市场。

With the further decline of the Zhou Dynasty's political power, this set of Elegant Music also entered the dead end of "rites collapsed and music disappeared".

随着周王朝政治势力的进一步削弱，这套雅乐也终于走上了“礼崩乐坏”的末路。

The ritual and musical instruments in the Shang and Zhou period embodied the institution of rites and music.

商周时期，礼器和乐器是礼乐制度的物化形态。

Shang and Zhou Period: Combination of Ritual and Musical Instruments and the Materialized Institution of Rites and Music

商周时期的礼乐器组合与礼乐制度的物态化

There were two basic features of the system of rites and music in Zhou times.

周代的礼乐制度有两条基本内容。

A deep voice announced the commencement of the wedding rites, and the music began.

一个瓮声瓮气的嗓音宣布拜堂开始, 乐队开始吹打.

So the pre-Qin Confucians pay attention to the appeal of the Monarch and His Subjects' ideal morals personality, and also pay attention to ideal construction of the relationships with orderly and affinity between Monarch and His Subjects under the standard of rites and music system.

因此，先秦儒家注重对君臣理想道德人格的诉求，注重对礼乐制度规范下有序亲和的君臣关系的理想化建构。

The rites and music is its direct source;

周代的礼乐人文文化是其直接来源；

Including" Poem, ritual and music", all of these facilities and the political system culture make social and political achieved the "rites and music" order, toward to the orderly and harmonious ideal state.

这一切政制设施以及包括诗、礼、乐在内的礼乐文化，使得社会政治在礼乐秩序中达到既有序、又和谐的理想境界，这就是为政以德的理想境界。

After the age of witchcraft and religion, Rites and Music Culture in the West-Zhou Dynasty reached a humanistic reasonable stage of Chinese culture, which was the necessary result of Chinese culture developed from lower stage to higher stage.

西周礼乐文化是中国早期文化经过了巫术和宗教阶段以后出现的、体现着人文理性精神的文化形态，是文化由低级阶段向高级阶段发展的必然结果。

The chime, as one national jewels for rites and music, is the embodiment of the system of the Zhou Dynasty.

编钟作为周代的礼乐重器，是周代礼乐制度的具体体现。

The system of rites and music endured for the following 2,000 years and more, until it was abolished with the end of the Qing Dynasty, China's last feudal dynasty.

礼乐制度影响及于其后几千年一直到清代，中国的最后一个封建王朝才结束。

The system of rites and music reinforced and stabilized this strict patriarchal clan hierarchy. In feudal China, patriarchal-feudalism became the dominant ideology and political mainstay.

礼乐制度，正是对于这个严密的宗法等级网的强调和固定。到了封建社会，就形成了封建等级社会固有的封建宗法性特征。

The ceremony in the ceremony of the music has of "rites and music" status.

而仪式程式使得该仪式的音乐具有仪式音乐的身份。

Li neng and Wen ru had the enormous contribution to the Kai Yuan prosperous times, through the disputation the relation of Confucianism and literary was balanced in the system of rites and music.

吏能与文儒派的努力成就了开元盛世，而也正是通过吏能与文儒之争，儒学与文学的关系在礼乐体系内部达成了相对平衡。

Briefly speaking , Confucius'esthetics is that of ceremonial rites and music.

孔子的美学概而言之就是礼乐美学.

The traditional China is a society of rule of virtue. Ideological and political education plays a key role of spreading Confucianism, carrying out rites and music education, maintaining social order and ensuring the long-term existence of the unified country.

中国传统社会是一个德治社会，思想政治教育在传播儒学思想、进行礼乐教化、维护社会秩序和保证大一统国家长期存续方面起到了关键作用。

Third, there are innate relations between the rites and music and the virtue.

再次，礼乐与生命存在的德性之间亦存在着内在关联性。

The Tao he talks about differs from what was taken for granted, for example, the commonly-termed Tao as demonstrated by means of the system of rites and music ( li-yue) in Confucianism.

老子谈论的道不同于常理意义上理解的“道”。例如，儒家学说认为，礼仪和音乐体系就是道。

Bronze sacrificial vessel and the historical evolution of rites and music system

青铜礼器与礼乐制度的历史沿革

The historical evolution of rites and music is showed the changes of the sacrificial vessel exteriorly, which contains abundant connotation of the norm of etiquette.

礼乐制度的历史变革外在体现为礼器的变化。礼器体制的沿革蕴含着丰富的礼制内涵。

Connecting with daily practical life, rites and music, therefore, are not some pure arts for only sensible enjoyment.

因此礼、乐这两种艺是与人们的日常实践相关的，不是什么单纯的感性的享乐。

Last, applying the method of mode analysis on ethnomusicology, the writer analysed the core, intermedium, and scope of outside of ritual music and expounded the regular and irregular factors in rites and ritual music.

最后，笔者运用民族音乐学的模式分析方法，分解仪式音乐中的核心层次、中介层次和外围层次，用以剖析仪式及仪式音乐中的固定因素与非固定因素。

The Western Zhou Dynasty saw the rite-music civilization of this mode in its ancient form, and the Han Dynasty had the culture of ethics of rites reestablished, which completed the cultural transformation that started with the breakdown of proprieties in form of rites and music.

西周的礼乐文明是这一文化模式的上古形态，汉代礼文化的重建完成了从春秋时期礼崩乐坏为开端的文化转型。

The Pre-Qin Dynast Music and the Ideals of the Confucian Rites and Music

先秦音乐与儒家的礼乐理想

The Style and Date of Composition of I Ching and the Influences of the Culture of Rites and Ritual Music in the Western Zhou Dynasty over the Art of Rhymed Verse in China

《易经》的语言形式与著作年代&兼论西周礼乐文化对中国韵文艺术发展的影响

The Zhou Dynasty, as the last dynasty with the system of enfeoffment, had created a delicate and excellent civilization of rites and music, which had become the cornerstone of Chinese ancient civilization.

周王朝是一个创造了精细美备的礼乐文明的王朝，也是一个分封体制的王朝，它创立的礼乐制度奠定了我国古代文明的基石。